Rhetorical Analysis Essay(William Gibson-cyberpunk) Essay

rhetorical Analysis (William Gibson-cyberpunk) - Essay ExampleAccording to Grolier Multimedia Encyclopedia, Gernberks stories were described as hackneyed seek tales in which heroes outfitted in dubious space metal wrecked alien words and carry through space maidens (New Grolier Multimedia encyclopedia 112). The popularity of the Amazing stories led to new entrants in the 1920s and 1930s to include, knowledge wonder stories, Wonder stories and Astounding stories. It was Campbells work which gave a credible representation of science metaphor on how technology has an impact on individuals as well as their cultures through complex report techniques as well as exhaustive approaches to subject matters. His works have been regarded as the golden fester of science manufacturing under which science fiction writers such as Robert A. Heinlein, Theordore Sturgeon and Isaac Asimov flourished. Major themes of science fiction are listed by Grolier as robots, alternate worlds, faster- than- l ight travel, the seeding of the galaxies by the humans and aliens and its many astonishing consequences and the all-inclusive range of possibilities presented by the nuclear power.The impact of technology on everyday lives and on the planets fate became more dominant in science fiction from the 1950s onwards. Most notable outgrowth was the New Wave associated with authors such as Brian Aldiss and J.G Ballard whose focus was on topical issues such as environmental depletion, urban overcrowding, and how technology relates to drug abuse, crime and sexuality. The new wave in some aspects introduces cyberpunks attention to the impact of technology on the present no less than on the future an big component which features in William Gibsons works and his contemporaries that of computer technology. This continuous intermingling of reality and fiction has interpret science fiction as a means of sharpening the awareness of a people to their reality by de-familiarizing it through imaginat ions and fantasies (Heuser